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Six reasons Sambrook is wrong about 24-hour news

Six reasons Sambrook is wrong about 24-hour news

Six reasons Sambrook is wrong about 24-hour news

Six reasons Sambrook is wrong about 24-hour news

Six reasons Sambrook is wrong about 24-hour news



by sjhoward

This is the 2,229th post. It was published at 09:30 on Tuesday, 6th May 2014.

A version of this post also appears on Medium.

The image in this post was posted on Flickr by Ian Wright, and is used under Creative Commons licence.

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Earlier in the year, Richard Sambrook (the former director of BBC News) wrote an article for The Guardian in which he argued that 24-hour news channels were no longer relevant in the modern world. This week, with news reaching The Independent that his thoughts are being taken seriously inside the BBC, I feel like it's time to put across an alternate point of view.

Here are six reasons I believe Sambrook is wrong.

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1. News channels don't need to break news first

Cable news established the 24-hour news habit, but today social media and mobile phones fulfill the instant news needs of consumers better than any TV channel can. Twitter – and increasingly live blogs of breaking news events – consistently beat 24-hour TV channels. Being first – the primary criterion for 24-hour news channels – is increasingly the least interesting and effective value they offer.

Sambrook is right to say that the ability of television channels to deliver lines of breaking news at high speed is limited in comparison to online sources, whether accessed through mobile phones or social media. But most online and social media outlets are poor at putting those lines of breaking news into context. Indeed, at present, news channels are equally poor at this.

In my vision of a news channel, a line of breaking news would appear on screen, in much the same way as it appears online. Perhaps, "Valco supermarket chain in administration". I don't need the channel to break away from whatever it is reporting to bring me this news – it can simply appear on screen. That is the benefit of the visual medium.

Then, within a short period (say within fifteen minutes or half an hour), the BBC can put one of its expert business correspondents on the air to discuss that news in context. They can tell me the relevance of this to the City, to individuals, and perhaps even bring a degree of response from their journalistic contacts.

There is no need to discuss the news immediately and constantly repeat a single line accompanied with endless speculation. Instead, the channel should wait until there is something to report, and report it in a detailed and intelligent way.

 

2. News channels needn’t conform to expensive norms

The infrastructure behind a 24-hour news channel is impressive – and formidably expensive. The biggest cost comes from having created a machine that has to be fed. Every 15 minutes we go back to our reporter in the field for an update on what's happened since the last time we visited them. Most of the time the answer is "nothing".

Going back to a reporter in the field every fifteen minutes is not only expensively, it's also irritating. There is no need to do this. There are two reasons news channels do this: to fill time, and to follow the structure of a conventional network news bulletin every half hour.

We'll return to the former, but the latter is simply farcical. There is no reason (beyond "it's what we've always done") for 24-hour news channels to follow the structure of a conventional news bulletin. There is no reason why we have to return to the same correspondent to repeat the same news every hour. This is a problem of the format, not of the medium. A much more open-ended structure is possible.

 

3. News channels needn’t carry everything live

Newsgathering becomes a sausage machine, dedicated to filling airtime. Hours a day are spent on live feeds waiting for something, anything, to happen. The editor can't risk broadcasting a different report or going live somewhere else in case he misses the start and a rival channel can claim to be "first".

Of course, there is no reason to do this other than it being what rivals do. Every Wednesday, I cringe as presenters on television and radio fill in anticipation of Prime Minister's Questions, which starts a variable number of minutes after midday. Every Wednesday, I wonder why no broadcaster has had the bright idea of scheduling a five-minute discussion previewing the content, and then starting the coverage, cleanly and professionally at 12.05, through the simple use of a few minutes' delay.

The number of people who are insistent on watching Prime Ministers' Questions absolutely live is probably tiny. I know that I, for one, would prefer to watch a slick production with informed commentary and analysis rather than an unedifying scramble every week.

 

4. News channels needn’t uselessly fill time

The need to fill airtime – and particularly the need to be seen to be live – means that in the heat of the moment questionable editorial judgments can be made. Everything seems to be "breaking news". In the last 12 months we've seen the BBC showing live pictures of an empty courtroom in the US, eagerly anticipating the sentencing of already convicted kidnapper Ariel Castro – a story of interest to few if any in the UK.

There is a need to fill airtime. There is not a need to fill airtime with live content. With 24-hours at their disposal, and with less of an emphasis on a presenter reading a single headline every time news breaks, there is much greater scope for in-depth reporting and interviews with newsmakers. Watch an hour of any 24-hour news channel, and you'll almost certainly see an interview cut short, often for no good reason. Allow these to be much more open ended, and repeat them (in edited form, with expert analysis) and much of the airtime will be filled. As with Prime Minister's Questions, make much more extensive use of live delays and on-the-fly editing to increase the standard of presentation, and to allow the programme to naturally flow.

Similarly, I can see no reason why these channels don't make the most of the available air time to show more "explainers". I think an occasional airing of an updated 15 minute background package on what's actually happening in Ukraine would be a valuable service a news channel could offer. And it would fill time at low cost.

 

5. News channels can show pre-recorded packages

The number of stories that are conveyed by live "as it happens" pictures is vanishingly small. Many stories – the economy, climate change – aren't best served by pictures; others (inside Syria, Iraq, Afghanistan or Zimbabwe) often don't have pictures available until days after the event; many more work better with a well crafted, tightly edited package rather than a live feed.

There is no reason for 24-hour news channels to be so focused on live pictures. Well-crafted, tightly-edited packages would be welcomed by viewers over somebody standing in the rain reporting nothing.

 

6. Sambrook's vision doesn't fulfill the BBC’s purpose

What might a reconfigured on-demand news service look like?

Sambrook's suggested on-demand news service (I haven't quoted his whole plan, for it is far too long) involves people actively participating in creating their own bulletin. This is precisely the opposite of what I believe the BBC should be doing.

We, the people, have terrible news values. The more the BBC tries to align itself with our values, the more it degrades its worth. We need to be told what we need to be told. We need experts to fight for coverage of their areas. We need to know what matters, not what we want to know. And we place our trust in the BBC to make those decisions for us.

If the BBC won't make those decisions, but will defer to us, then there is no point in the BBC existing. I can ferret out news that interests me from a wide variety of sources without the Beeb's help. And in the areas in which I have a particular interest, that's exactly what I do.

But the BBC, and its news channel, should be about expert contextualisation. It should be the outlet which says "actually, this isn't an important story, so we're not covering it in depth" more often that it says "sit up and pay attention, this is boring but important".

It should make the most of genuine experts in their field – including fields it currently covers with a laughable level of credibility, like science and technology. The BBC news channel should be the "news channel of record". It should cover things in depth and intelligently. It should not chase ratings, and it should not be in a race to read out lines of news with no context. It should not be obsessed with live coverage. It should edit, curate, and analyse.

 

 

In his analysis, Sambrook conflates the current output of news channels with the medium of news channels itself. He uses the argument that current output is poor to suggest that there should be no output. I disagree.

I think that news channels can be done better – particularly the BBC News channel, which doesn't have to answer to shareholders, and doesn't have to chase ratings. It should be held to a higher standard, and should drive the quality of 24-hour news up. The BBC should not abandon it altogether.

Review: The Battle of $9.99 by Andrew Richard Albanese

Review: The Battle of $9.99 by Andrew Richard Albanese



by sjhoward

This is the 2,107th post. It was published at 12:30 on Wednesday, 8th January 2014.

I publish a book review every other Wednesday. You can browse all previous reviews here.

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I think, like me, many people will have noticed an increase in the price of e-books in recent years. A subset of those people will be, like me, vaguely aware of an antitrust case around the selling of ebooks, involving Amazon selling below cost and Apple trying to disrupt the market. There was news last year that a court had declared that ebook purchasers were due a partial refund, and I felt some excitement at the prospect of a fat Amazon gift voucher (that hasn’t yet materialised). That was about my level of understanding before I downloaded The Battle of $9.99. It was a story that I felt I should know more about, and so I picked up the book to learn.

In this short book, Albanese outlines the revelations from the antitrust court case against Apple. It’s a factual account that seemed fairly balanced in its assessment, and contained some genuinely surprising revelations along  the way. For example, publishers whose books were previously sold below cost-price by Amazon now net a lower revenue per title despite increased consumer prices. Indeed, publishers were willing to accept that deal on the basis that the perceived value of books would not be eroded further, on the basis that it protects their profits in the long-term.

It’s only a brief book, so this can only be a brief review, but it was nonetheless interesting. It was well-pitched, introducing economic and legal terms as necessary without either patronising or befuddling me as a reader with experience in neither. I would have liked a little more discussion about why this story had so little traction with the public at large, particularly compared to similar financial scandals in which consumers felt “ripped off”.  I’d also be interested to read a similar account of iTunes disruption of the music market, but I guess without a antitrust suit, similar revelations are unlikely to meet public gaze.

Back in the autumn, I reviewed Burning the Page by Jason Merkoski, which examined in much more detail the way in which technology has changed the reading experience. The Battle of $9.99 makes an interesting business-focussed supplement to that book. It’s well worth a read.

 

The Battle of $9.99

The Battle of $9.99 is available now from amazon.co.uk in Kindle format only.

2D: Media rigour

2D: Media rigour



by sjhoward

This is the 2,031st post. It was published at 12:30 on Wednesday, 19th June 2013.

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Newspapers

In some ways, watching a dying industry attempt a caterpillar-like metamorphosis is as fascinating as following a nascent one. It’s genuinely intriguing to see the choices different players make about which parts of their former selves they retain, which they reject, and what new elements they add to their products. For this 2D post, I’ve picked out two articles which look at very different responses to those challenges.

The first is an article from the Columbia Journalism Review by Peter Canby about the fact-checking process at the New Yorker, and the way in which that process has morphed under economic pressure. I’ve never before seen such a clear admission from anyone – other than, perhaps, The Guardian – that mistakes happen.

Ultimately we make mistakes. I wish we didn’t, but they are inevitable and constant.

Admitting a problem is, as they say, the first step to addressing it. This article suggests to me the the New Yorker has invested a great deal of effort in working out how to minimise errors without maximising costs, and continues to do so.

At the other end of the spectrum, as Martin Robbins describes in the New Statesman, the Daily Mail has taken a rather different approach, seemingly involving a rather strong dose of hypocrisy.

The coverage of Kick Ass star Chloe Moretz at the age of 14 contains some classic examples: looking “all grown up” she was “every inch the classy young lady” at a film premiere, for example. All this comes from a newspaper campaigning vigorously against ‘sexualisation’ and its impact on children.

I personally find the Daily Mail‘s approach distasteful, but it’s hard to deny that it has been successful. Mail Online is now the world’s most popular news website (perhaps “news” should be in inverted commas), with almost double the number of unique browsers of the BBC News website. Vox populi, vox dei – or at least vox populi, vox argentum. If this is what most people want to read, perhaps we should be a little more respectful towards their art in our tone, even if we make the argument no less forcefully that the protection of the individuals concerned should be paramount. Or perhaps we should focus on the underlying problems of society, rather than the newspaper-based symptoms. I don’t know.

2D posts appear on alternate Wednesdays. For 2D, I pick two interesting articles that look at an issue from two different – though not necessarily opposing – perspectives. I hope you enjoy them! The photo at the top of this post was posted to Flickr by Jon S and has been used under Creative Commons Licence.

Science communication, Question Time and Melanie Phillips

Science communication, Question Time and Melanie Phillips

Science communication, Question Time and Melanie Phillips



by sjhoward

This is the 2,006th post. It was published at 22:55 on Wednesday, 3rd April 2013.

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Melanie Phillips has been on Question Time twice as often as all scientists put together over the last 18 months. There is still this feeling of “Why would you put a scientist on a current affairs discussion programme?”

Mark Henderson, formerly science editor at The Times, but now with the Wellcome Trust, makes this interesting point in a piece about the media coverage surrounding the discovery of the Higgs boson. It was published in the eighth issue of the marvellous Delayed Gratification.

Photo-a-day 362: The Killing

Photo-a-day 362: The Killing



by sjhoward

This is the 1,948th post. It was published at 22:14 on Friday, 28th December 2012.

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Wendy bought me the second season of The Killing on DVD for Christmas, and I’m already fairly well into it…! I loved the first season; it was truly superlative TV. If you haven’t seen it yet, then you really should find the time! I’m very much enjoying this second season too.

I came late to The Killing, only catching up with it a couple of months ago when it appeared on Netflix… which meant that I devoured the whole series in no time at all! I then got such strong withdrawal symptoms that I started watching the US remake… which was truly awful!

Iain Dale blogged about Borgen earlier today, which is another series I’ve heard consistently brilliant things about, but haven’t yet found the time to watch. Perhaps it should be my next box set…!

Review: My Trade by Andrew Marr

Review: My Trade by Andrew Marr

Review: My Trade by Andrew Marr



by sjhoward

This is the 1,898th post. It was published at 09:30 on Wednesday, 21st November 2012.

I publish a book review every other Wednesday. You can browse all previous reviews here.

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This is a thoroughly enjoyable personal history of journalism, written by the then BBC Political Editor, and former editor of the Independent, Andrew Marr.

My Trade certainly delivers on its promise to provide ”A Short History of British Journalism”, but rather than delivering a dry journalistic history, Marr injects copious amounts of humour and panache. He provides many personal anecdotes – some longer and more developed than others, but all entertaining – and passes judgement on developments in the media world, rather than merely reporting their occurence. The personal touch makes the copy much more engaging, and prevents it descending into a super-extended newspaper feature, like so many other books by journalists.

Anybody interested in British journalism would be well advised to read a copy of this book. It provides much background on how newspapers are put together, and how this has changed over the years. It even provides some history on the rivalries between newspapers, looking at (as an example) how The Mirror’s sales declined at the hands of The Sun, and how Marr’s own Independent set out to be different from everyone else, but ended up being much the same.

This is not intended to be – and nor is it – a detailed history of the development of the British media. Instead, it’s an enjoyable romp through the subject, stopping off at points of interest – particularly recent ones, and many of which you’d have thought he may have liked to avoid. He goes into some detail about Hutton and the problems of modern journalism, making convincing arguments for his point of view – which is, in part, critical of his BBC paymaster. It’s very clear from his writing that he’s experienced as a journalist, not just because he lists his many and varied jobs, but also because of the detailed insight he is able to deliver, and the apparent wisdom of some of his comments.

Certainly, this is a very easy-going enjoyable read, from a political editor who comes across as an affable kind of chap, and a book which I must highly recommended.

My Trade is available now from amazon.co.uk in paperback and on Kindle.

Photo-a-day 293: Granada Studios

Photo-a-day 293: Granada Studios



by sjhoward

This is the 1,856th post. It was published at 18:30 on Friday, 19th October 2012.

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I came across the former entrance to the Granada Studios Tour today, which has (in an act that looks a lot like corporate vandalism) been painted a single block of colour and had ITV’s uninspired corporate logo slapped on the front.

It’s a sad sight. I visited the Granada Studios Tour a few times in my childhood – I have particularly strong memories of visiting with school when the whole complex was rented out for the whole school in celebration of the principal’s significant birthday.

The Tour closed abruptly in 1999, one of the casualties of ITV’s financial rationalisation after the collapse of ITV Digital. There’s talk of the Museum of Science and Industry taking over the complex when Granada vacates it next year, though there remains a real threat of the land being sold and this keystone site in our national cultural heritage being flattened – especially after English Heritage’s baffling decision not to grant the site Listed status.

So, in case it’s in a skip this time next year, here’s another picture of the complex’s iconic Granada TV logo:

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Photo-a-day 258: Ceefax

Photo-a-day 258: Ceefax

Photo-a-day 258: Ceefax



by sjhoward

This is the 1,809th post. It was published at 12:03 on Friday, 14th September 2012.

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Tyne Tees is one of the few areas of the UK where Ceefax is still available… but not for much longer! In 12 days, this region will complete digital switchover and we’ll lose Ceefax forever.

The degree to which this really doesn’t matter to me personally is exemplified by the fact that it’s taken me about 10 minutes to work out how to get it on my current TV…! But I used to use it quite a lot, so I feel a little bit sad to know that it will no longer be there!

Photo-a-day 205: Television Centre

Photo-a-day 205: Television Centre



by sjhoward

This is the 1,737th post. It was published at 23:55 on Monday, 23rd July 2012.

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This is, of course, BBC Television Centre. Wendy and I were here for a tour today, and also got roped in to being in the audience of a daytime quiz show!

It’s very much a building of its time. It now has a slightly eerie deserted feeling to it – for me, it was a bit reminiscent of working in Newcastle General Hospital right before it closed down. That said, it was a great tour, and I’m glad we took the chance to do it while we could!

Photo-a-day 194: Broadcasting House

Photo-a-day 194: Broadcasting House



by sjhoward

This is the 1,721st post. It was published at 17:27 on Thursday, 12th July 2012.

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If you judge your bloggers by the photos they take, then I expect you won’t be very impressed with me today.

Last night, I visited the art deco masterpiece that is the BBC’s Broadcasting House and its Radio Theatre, but emerged with only a single photograph showing this gimmicky interpretation of the BBC logo, from the Media Cafe.

I was there to watch a recording of Arthur Matthews’s new comedy, The Golden Age. It was very funny. There was even a small amount of audience participation, including singing – I expect that I, along with the rest of the audience, will be signed by Simon Cowell as soon as it’s aired. It was quite interesting to see a Radio 4 audience in the flesh: the stereotypes are all true!

Peering through the window of the Media Cafe, it was fascinating to see the new newsroom. From that perspective, it seemed rather smaller than I’d imagined, though it still looked like a pretty nice office to work in. There was also a corner upstairs for BBC Weather, which surprised me somewhat – I thought all that was done at the Met Office.

Anyway, it was an interesting experience – and free as well. I’d definitely go back!

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