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2D: Media rigour

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Hold up! Before you read on, please read this...

This post was published more than 5 years ago

I keep old posts on the site because I often enjoy reading old content on other people's sites. Not everything that is old is bad. It can be interesting to see how views have changed over time: for example, how my strident teenage views have mellowed and matured.

But given the age of this post, please bear in mind:

  • My views might very well have changed in the 5 years since I wrote this post. I have written some very silly things over the years, many of which I find pretty embarrassing today.
  • This post might use language in ways which I would now consider highly inappropriate or offensive.
  • Factual information might be outdated.
  • Links might be broken; embedded material might not appear properly.

Okay. Consider yourself duly warned. Read on...

Newspapers

In some ways, watching a dying industry attempt a caterpillar-like metamorphosis is as fascinating as following a nascent one. It’s genuinely intriguing to see the choices different players make about which parts of their former selves they retain, which they reject, and what new elements they add to their products. For this 2D post, I’ve picked out two articles which look at very different responses to those challenges.

The first is an article from the Columbia Journalism Review by Peter Canby about the fact-checking process at the New Yorker, and the way in which that process has morphed under economic pressure. I’ve never before seen such a clear admission from anyone – other than, perhaps, The Guardian – that mistakes happen.

Ultimately we make mistakes. I wish we didn’t, but they are inevitable and constant.

Admitting a problem is, as they say, the first step to addressing it. This article suggests to me the the New Yorker has invested a great deal of effort in working out how to minimise errors without maximising costs, and continues to do so.

At the other end of the spectrum, as Martin Robbins describes in the New Statesman, the Daily Mail has taken a rather different approach, seemingly involving a rather strong dose of hypocrisy.

The coverage of Kick Ass star Chloe Moretz at the age of 14 contains some classic examples: looking “all grown up” she was “every inch the classy young lady” at a film premiere, for example. All this comes from a newspaper campaigning vigorously against ‘sexualisation’ and its impact on children.

I personally find the Daily Mail‘s approach distasteful, but it’s hard to deny that it has been successful. Mail Online is now the world’s most popular news website (perhaps “news” should be in inverted commas), with almost double the number of unique browsers of the BBC News website. Vox populi, vox dei – or at least vox populi, vox argentum. If this is what most people want to read, perhaps we should be a little more respectful towards their art in our tone, even if we make the argument no less forcefully that the protection of the individuals concerned should be paramount. Or perhaps we should focus on the underlying problems of society, rather than the newspaper-based symptoms. I don’t know.

2D posts appear on alternate Wednesdays. For 2D, I pick two interesting articles that look at an issue from two different – though not necessarily opposing – perspectives. I hope you enjoy them! The photo at the top of this post was posted to Flickr by Jon S and has been used under Creative Commons Licence.

This 2,031st post was filed under: 2D, Media, , , , , , , .

More posts worth reading

What I’ve been reading this month (published 4th July 2018)

PSA: Fake calls from fake me (published 19th June 2018)

What I’ve been reading this month (published 3rd June 2018)

Diary for 26th May 2008 (published 26th May 2008)

David Mitchell: Cloud Atlas (published 7th April 2005)

It’s my birthday, and I’ll cry if I want to (published 21st April 2004)

Entry #138 (published 12th October 2003)


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