One of the greatest pleasures of attending an art exhibition with Wendy is her reaction to the more pretentious object labels.

There was a moment in Madrid’s Reina Sofia when, after reading a particularly florid text, she just said ‘I don’t have the bandwidth for that’ and turned on her heel. It’s usually hard to disagree.

Wendy wasn’t able to attend ‘Fragile Beauty’ at the V&A with me, but when I read the label accompanying Richard Caldicott’s untitled triptych, I did wonder what she’d have made of it:

Richard Caldicott’s red, yellow and blue triptych playfully transforms everyday objects – in this case Tupperware food-storage containers – into a sea of colour. The artist’s choice of primary hues references classic colour theory, underpinning hundreds of years of optical experiment. To stand in front of Caldicott’s photographs is to be confronted by a field of light refracted by luminous kitchenware.

I think she may well have furrowed her brow and exclaimed: ‘But why would you want to be confronted by luminous kitchenware?!’

Fragile Beauty continues at the V&A until 5 January next year.