As I reflected a few years ago when reading Adam Buxton’s book, Adam & Joe were among the comedians I grew up watching and listening to. Seventeen years ago, I posted an eight-minute clip from their XFM show in which they discussed a new release from the R&B singer R Kelly (who, of course, was not then known to have committed horrendous crimes).
The embedded media player in the original post no longer works, but the original file is still languishing on this server, so I can re-share it today:
It’s certainly of its time – but the sheer joy the pair take in the absurdity of the album is infectious.
2: Contrary to everything I thought I knew about myself, it turns out that I am the kind of person who stands in a queue outside Asda. Covid-19 has done strange things to us all.
3: Doctors often spend a lot of time moaning about the involvement of politicians in political decisions about healthcare. I appreciated this article from Political Violence at a Glance for giving a brief but thoughtful answer to the question: “In pandemics, should the experts or the politicians be in charge?”
7: There’s a great article in the April/May 2020 edition of Courier—not online as far as I can tell—about what a company learned from deciding to pay all their staff the same salary. It didn’t work out for them. Courier does these articles on failed business experiments really well: it’s great to see failure embraced and learning shared rather than just pretending everything works all the time.
9: According to a lecture by Dr Mary Rogers who manages the Abbott Global Viral Surveillance Programme, from all the SARS-CoV-2 viruses genetically sequenced to date from over twenty countries, there is only variation in 149 positions in a 29,000nt virus (i.e. very little mutation and variation).
12: Stoking anger and resentment in difficult times still sadly brings gainful employment for some, according to Andrew Tuck: “At the park there’s a man lurking by the bushes. He’s got a camera with a telephoto lens as long as his arm. He’s here not to spot a rare bird in the trees but to try to catch out people sunbathing, sitting on a bench, talking to someone who does not live in their household (I know this because a few hours later I check the tabloid sites to confirm my suspicions and there are his pictures). He’s also got a series of people allegedly cycling too close to one another. But they are not what they seem to be. He’s simply used the lens to make it look like people are super close by shortening the field of vision. With a country on edge, it’s incredible why anyone would try to sow unease.”
15: I read a lot of library books and have never really worried about catching infections from them. But Gill Partington seems to think I should worry (and according to this article, Public Health England has guidance on cleaning library books, which was also news to me).
16: It’s easy to forget the unprecedented pace of social change over the last hundred years, which means it’s easy for a news report from a century ago to knock my socks off with its attitude to gender politics.
17: The Government’s latest covid-19 graphic feels strangely reminiscent of certain 1990s weekend shopping trips.
21: By dint of being in the second half of the decade, I don’t think I can describe myself as being in my “early thirties” anymore. In Misbehaving, Richard Thaler suggested that people can no longer be considered “promising” once they turn forty. To wit: I’m now a “promising thirty-something.”
22: According to this headline, the ideal moment to invite more people to attend NHS services is the moment of greatest pressure on those services.
27: In The Sense of Style, Steven Pinker argues that “style earns trust. If readers can see that a writer cares about consistency and accuracy in her prose, they will be reassured that the writer cares about those virtues in conduct they cannot see as easily.” Events over the last few days have made me think a lot about how consistent and accurate advice is crucial for outbreak control, but I had been thinking in terms of ethics and efficacy. Trust is, of course, especially important too: people don’t follow advice they don’t trust. It’s normally the sort of thing I bang on about a lot, so it’s interesting to reflect on why it was so far from my mind this weekend.
30: I didn’t realise I was tired tonight until I woke up having falling asleep while reading in an armchair. I’m not sure this is correct behaviour for a promising thirty-something.
This was the recently published brilliant finale to Smith’s astonishing seasonal quartet.
If one was setting out to publish a novel a year reflecting the times in which we live, one could hardly have picked a better four years to work with than the last four. Smith’s ability to capture and reflect on the age of Brexit, coronavirus and George Floyd with such a publication schedule, while the rest of us are struggling just to keep up with events, is pure genius. This volume revisits some of the characters from the earlier novels, and I slightly worried that I’d struggle to recall them, given the time that has passed since I read the first of the novels – but they all came flooding back.
I feel a bit lost knowing that this series is now complete – it has been the series that I’ve most enjoyed and most anticipated in recent years. I’ll miss it.
This was the 2019 bestseller which was shortlisted for the Booker Prize. I picked it up on a whim when I saw it in a bookshop and vaguely thought I’d heard good things about it. It turned out to be an extraordinary book.
The book comprised three parts. Part One followed Tequila Leila’s lifetime of reminisces over the first few minutes following her death, covering everything from her own birth into a polygamous family to her murder as a sex worker. Each memory focused on a specific friend whose life was also explored. Part Two followed these closes friends in the day following Leila’s murder. And the brief Part Three followed her soul into the afterlife.
I found this emotionally exhausting. The characterisation and storytelling were so strong that I sometimes forgot this was fiction. Despite the tragedy and emotional weight of the story, it was leavened with moments of humour. It felt to me like this book was as much about Istanbul as it was about the human characters.
This was Adam Buxton’s recently published autobiography. I first came across Adam with his friend Joe Cornish in their Adam and Joe Show days, when I was in my early teens, and have followed them ever since. Adam now hosts a successful podcast in which he hosts essentially long form interviews with a huge variety of cultural figures, but which also gives insight into his life in rural Norfolk.
This book’s central thread was the relationship between Adam and his travel-writer father, although he also talked at length about his school days, his career, and his love for David Bowie. I found the section on his father’s last illness particularly moving. I read this shortly after listening to Buxton’s recent podcast recorded the day after his mother’s funeral, in which and Joe reflected movingly and at length on the challenges of parent-child relationships in later life.
I was pre-disposed to like this book because I like Adam. It’s one of those books which I’m not sure would appeal to people who aren’t already familiar with him and his career, but I really enjoyed it.
The 2009 blockbuster Booker winner – a book on which my opinion really couldn’t matter less!
I don’t usually read historical fiction, but this was recommended to me so often that I thought I had to give it a go. It was my redoubtable friend Julie who tipped me over into reading it, by telling me it wasn’t really a historical novel.
I have mixed feelings. I found the plot confusing and often lost the thread (not helped by my complete historical ignorance). On the other hand, the writing was brilliant, filled with witty turns of phrase and clever language. I wouldn’t hesitate to read more of the trilogy, and would consider re-reading this volume at some point—I suspect it would all make a bit more sense second time around, and I’d enjoy revisiting the wonderful prose.
If you regularly follow what I’m reading on this blog, you’ll know I’m having a bit of David Sedaris moment, enjoying his light and humorous approach to life during a time when life feels rather heavier than it might. This was another collection of his essays, most of which were originally published elsewhere, and most of which are very funny.
This 2004 volume, even more than the others I’ve read, was focused on David’s family and his relationships with his parents and siblings both as a child and as an adult. I really enjoyed it.
First published in 1991, this was a very detailed account of the nuclear accident at the Windscale site which occurred in 1957. I read only the 160-page main text, and didn’t delve into the many appendices of official reports.
While well-explained by Arnold, some of the physics was a little beyond my level of casual interest. However, the broader themes of what went wrong in this incident were fascinating in their familiarity: a service over-stretched as a result of Government pressure to deliver more than the expert workforce could adequately oversee, rapid recruitment of non-expert staff to essentially “make up the numbers”, and a resulting lack of expert oversight of activity whose complexity was routinely under-estimated created the conditions for things to go wrong.
Some official reports of the incident then blamed the pressured staff for the incident, although it was rapid local decision-making (including crucial decisions in the absence of robust scientific evidence about discarding milk) that contributed most to protecting the population after the accident.
There are so many lines in this book which could apply directly to much more recent incidents across the public sector (especially covid-19) that it is difficult to conclude that the broad lessons were ever truly learned.
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