How Daft Punk got lucky
I’ve mentioned a number of times on this blog, though always in passing, that I enjoy Daft Punk’s music. I was saddened to learn of their split in February 2021.
Last week, Le Monde published a fanatic five-part series of long reads by Bruno Lesprit. Under the title ‘how Daft Punk got lucky’, the series went into far more detail on the duo than I’ve ever read before. I enjoyed it enormously.
The articles aren’t very well linked on the English version of the Le Monde site, so here the five articles in orderfor convenience:
- Daft Punk’s New World odyssey
- Daft Punk’s early masterpieces, crafted in a childhood bedroom
- Daft Punk and the album that was a Hollywood blockbuster
- Daft Punk, pardon my French touch
- Daft Punk, two robots put to sleep after 28 years
There were two particularly stand-out takeaways from this series.
Firstly, Daft Punk have released a new, extended, tenth anniversary edition of Random Access Memories—my favourite of their albums—and the news had completely passed me by. Guess what I’ve been streaming while I’ve been writing this?
Secondly, this was a thing that happened in this crazy world of ours, and I’d forgotten all about it:
This post was filed under: Music, Post-a-day 2023, Bruno Lesprit, Daft Punk, Le Monde.