I’ve seen Park, Grosvenor and Kaneh-Mason
Yesterday afternoon, Wendy and I went along to the Sage to see Hyeyoon Park (violin), Benjamin Grosvenor (piano) and Sheku Kaneh-Mason (cello) performing Beethoven’s Triple Concerto in C with the Royal Northern Sinfonia.
I’ve never previously seen a performance of this, or indeed any other, triple concerto. There aren’t that many of them, and they are relatively seldom performed, given the challenge of finding three suitably talented soloists to appear together.
In this case, the challenge was all the greater: the violin part was due to be performed by Nicola Benedetti, but she had to pull out at the last-minute due to illness.
Quite how the RNS managed to pull off getting Hyeyoon Park to fill in, and quite how she managed to give such an incredible performance at the drop of a hat, I’ll never know.
If I’m honest, it was Kaneh-Mason’s name that attracted us to book tickets. He’s probably most famous for his royal wedding turn or that performance to an empty Royal Albert Hall during COVID, though his list of achievements is endless. Yet, in the moment, Park definitely stole the show. The warmth and richness of her playing was astounding, even alongside the other two exceptional soloists.
The RNS were on their usual top form too, giving a passionate and fun rendition of Mendelssohn’s Italian symphony after the interval.
Apart from anything else, it was great to see The Sage packed to the rafters once again: this was a sell-out encore performance, laid on after Friday night’s performance sold out.
This post was filed under: Music, Post-a-day 2023, Benjamin Grosvenor, Hyeyoon Park, Sheku Kaneh-Mason, The Glasshouse ICM.