In Le Magazine du Monde, Eric Albert—Le Monde’s departing London correspondent—takes a tour around the country to assess how it has changed since he first arrived:

On May 31, 2003, on an unusually warm spring day, I arrived in London somewhat by chance. I was living in Thailand at the time, and my partner had found a job in the UK capital. Arriving with no particular preconceptions, I discovered a surprisingly dynamic country, open to the world and happy with its multiculturalism.

At the time, the French were arriving in droves. An organization was set up to welcome young adventurers who arrived on the Eurostar with their rucksacks, helping them find a job and accommodation within a matter of days. At the other end of the social spectrum, graduates of France’s top business and engineering schools were snapping up trading jobs in the City. The fee-paying French Lycée in London could no longer keep up with demand.

Twenty-one years later, I’m about to return to France for professional reasons. The UK I’m leaving bears no resemblance to the one that welcomed me. The pound has fallen by almost 20%, immigration has become an obsession and the French Lycée has closed its doors, after many families left.

It is well worth reading the whole thing. The distance afforded by both time and an outsider’s perspective brings into sharp relief the sense of decline across the country.

It feels to me like so much of our election coverage in the UK focuses on the political parties rather than the state of the nation. I think Albert’s article offers more insight into the state of the election polls than any number of headlines about senior Tories’ alleged gambling crimes, or any other of the myriad campaign gaffes. The campaign isn’t working because the country isn’t working.

I was particularly struck by Albert’s mention of James Picken, a Hartlepool resident. It feels to me like this sums up so much:

Picken’s story is complicated. The 42-year-old didn’t need the current British decline to fall into poverty. His mother died of a Valium overdose when he was 15. His brother died of a heroin overdose. Having been a welder on gas platforms and worked in Norway, among other places, he then fell into a downward spiral. Alcohol, drugs and prison – the vicious circle began almost two decades ago.

What has been more recent is the harshness of the system, which pushes him back into a rut each time he tries to climb out of it. A few months ago, he missed an appointment at the Jobcentre state employment agency. The penalty was immediate. “Normally, I get £276 in welfare benefits every month. My rent is taken care of, but that has to cover all my bills – electricity, gas and phone – and all my food. After the penalty, I only got £18 for the whole month.”

What was bound to happen happened: Picken stole a stash of chocolate bars (“I was craving sugar”) and some chicken from a store. “When I got caught, I was almost relieved, thinking that at least in prison I’d have two guaranteed meals a day.” This system infuriates Bedding from the Annexe organization. “Who benefits from this situation? We put him in prison for eight weeks, which cost society thousands of pounds, because they wanted to save £200 initially on his welfare benefits. What was the point?”

‘What was the point?’ is, perhaps, a question with wider relevance and resonance.

At work, I was recently briefed on the potential public health effects in the UK of volcano eruptions, one of many threats on the national risk register. I learned the word ‘tephra’, which refers to the fragments of volcanic material that are ejected during an eruption. This includes the ash which caused such a nuisance when Eyjafjallajökull erupted in 2010.

There was a linguistic element to the presentation that caught my eye: some slides referred to ‘volcanos’ and others to ‘volcanoes’. Which is the preferred term?

Quick: to the Oxford English Dictionary!

Linguistically, Mount Etna was the first volcano. Vulcan was the Roman god of fire, and the Romans considered Mount Etna his forge. Italian thus inherited the word ‘vulcano’, which English initially used interchangeably with the anglicised form ‘volcano’. From the 1600s, ‘volcano’ became the standard option. In terms of pluralising, the general approach was to add ‘es’, as with many other nouns ending in ‘o’ inherited from Italian (‘echo’, ‘motto’, and ‘buffalo’, for example).

It was that pesky Samuel Johnson who stole the ‘e’, omitting it from his mid-1700s dictionary. Noah Webster also omitted it when simplifying English for Americans, so ‘volcanos’ has been widely adopted in the USA. As someone born and raised east of the Atlantic, I’m duty-bound to prefer the spelling ‘volcanoes’—and the OED feels the same. The Google Ngram viewer suggests that everyone else does, too, regardless of what Johnson and Webster thought:

Now that I’ve learned that ‘volcanos’ was most popular in the late 1700s, I reserve the right to refer to anyone using that spelling with contemporary language: those who drop the ‘e’ are simply coxcombs and popinjays.

The image at the top of this post was generated by DALL·E 3.

Sixty years before this film was released, James Burge QC found himself in court defending Stephen Ward in the trial associated with the Profumo affair. He famously described his client as ‘a man with an artistic temperament and obviously with high sexual proclivities leading a dissolute life’.

Ira Sachs’s Passages, released last year, features a central character could be similarly described. Sixty years on, however, the social outrage is mostly absent, and there’s no hint of political intrigue in this story. And so we’re left with ninety minutes of modern Parisian melodrama, a loose love triangle that I found neither interesting nor absorbing.

I don’t really mean to lay into it too much: it’s clear that the film is held in high regard by critics, so it must surely have a lot of technical merit, even if it didn’t stand out to me. The film had the feel of a passion project for the director and cast, and in that sense, I’m glad that it exists. The cinematography was impressive, capturing Paris beautifully, and the performances were compelling, even if the characters didn’t resonate with me.

It just wasn’t for me. Sitting on the sofa, my mind kept wandering, and it took some effort not to just give up on the film around the 30-minute mark. For all its abundant qualities, I simply didn’t feel any personal connection with it. Your mileage may vary.

Yesterday was 21 June—and I regret to report that I saw the first of 2024’s Christmas selection boxes on display in my local convenience store.

Or so I thought. Searching online reveals that this was Nomo’s 2023 selection box design, so perhaps this is a brand new display featuring six-month-old stock that the shop needs to clear.

Not everything is as it first appears.

Normally, during rush hour, this four-lane section of Newcastle’s Great North Road would be chockablock. As I walked home yesterday evening, it was eerily quiet. The England-Denmark Euro 2024 men’s football match clearly caused a major deviation from people’s usual travel habits—something I wouldn’t have predicted. I know consciously that football is extremely popular, but my own lack of interest blinkers me from casually anticipating these kinds of effects.

Here in the Northern Hemisphere, today is the summer solstice.

I’ve read a lot over the last year about the mental health benefits of rituals—and how, for atheists like me, celebrating the passing of the year through equinoxes and solstices brings psychological benefits. For years now, I’ve marked the vernal equinox by balancing an egg on end. I dare say you’re sick of reading about it.

But I haven’t a ritual to mark the summer solstice, and I thought that, perhaps, I ought to institute one. Given the astronomical event the solstice marks, I initially imagined that I could simply make a habit of watching the sun rise and set. I knocked that idea on the head when I realised quite how early the sun rises at this time of year: I’m not making a pre-5am start an annual event.

Reading about solstice traditions revealed a whole load of water-based activities, including swimming on the day of the solstice, visiting the coast, or visiting a waterfall. I already swim regularly—indeed, I’m publishing this as I’m getting ready to head to the pool—so that doesn’t seem like a special activity. Making a habit of visiting a waterfall or the coast feels like making myself a hostage to fortune: it’s just not always going to be possible.

Many people mark the solstice by leaping over bonfires, but this seems a surefire way to end up in A&E. I’m not a man built for leaping.

And so: I have no good answer. I’ll just have to keep mulling it over for next year.

The image at the top of this post was generated by DALL·E 3.

Twenty years ago, I posted a link to this classic new story by Lester Haines of The Register regarding a courier mix-up at the BBC. This morning, it’s made me chuckle all over again: it’s the audio file which really makes it. There aren’t many posts that old where the links still work.

Sadly, Lester Haines died in 2016. The Register has a really lovely obituary for a man who was clearly much-loved by a great many people.

On The Imperfectionist last week, Oliver Burkeman wrote:

If there’s one error of thought that most reliably holds me back from living an absorbing and meaningfully productive life, it’s the idea that certain things really matter, when the truth is that they don’t matter at all. Or at least nowhere near as much as I seem to believe.

This feels a bit thematically connected to my post yesterday about buying a ‘good enough’ fridge-freezer, but Burkeman’s post made me reflect more on understanding what matters in a professional context.

In my professional role, as is the case for most professionals, I’m asked to make hundreds of decisions per day. Most of them, however they may seem to the person who is asking, are pretty insignificant: whatever decision is made will have little impact on the public’s health.

A few years ago, I got into the habit of occasionally saying that ‘I didn’t care’ which option was chosen, often explaining that I didn’t think it would particularly influence the ultimate outcome. A typical example that comes to mind was whether a letter, whose content had been agreed upon by a group, should have my signature or someone else’s appended to the bottom.

One day, a kind colleague gently corrected me, saying that I did care, I just didn’t mind.

It was one of those useful small correctives that revealed to me the potential impact of the casual language I had habitually employed. It forced me to reflect and change my language.

The situation also made me reflect on the skill, wisdom, and kindness of the colleague who gave me that nudge. I hope that I one day have enough of the same qualities to help others.

The image at the top of this post was generated by DALL·E 3.

Wendy and I recently needed to replace our fridge-freezer. Usually, this would have sent me down a rabbit hole of researching, reading reviews, comparing prices, and finding the very best fridge-freezer for our specific needs.

This time, it didn’t: we picked one fairly arbitrarily. We knew the size we required, we knew the colour we wanted, we knew we wanted it to be energy efficient, and we knew we wanted it conveniently delivered. The whole exercise, from deciding we needed a new fridge-freezer to receiving an order confirmation email, took less than half an hour.

I didn’t think much of it at the time, but Callum Booth’s latest post reflecting on his similar experience of buying earplugs caused me to reflect a little further.

It often feels like life involves countless decisions, most of which count for little. I have no doubt that we could have found a slightly cheaper model, or one that was better in one way or another. But sometimes, ‘good enough’ is good enough, and indeed preferable to a better outcome that takes longer to reach.

The image at the top of this post was generated by DALL·E 3. It looks nothing like our kitchen, but then, wouldn’t it have been far more disturbing if it did?

This film was very much Wendy’s streaming choice: a long-term fan of trance music, and of Armin van Buuren in particular, she was intrigued to see this 2023 release. It combines footage of one of van Buuren’s shows from Amsterdam’s Ziggo Dome with documentary footage and interviews.

This confounded my expectations. I didn’t expect a trance concert to feature a live orchestra of classical musicians, live singers and live ballet. Wendy has always argued that trance has its roots in classical music, and that couldn’t have been made plainer than in this production.

I didn’t expect the interviews to focus on van Buuren’s recent struggle with depression. He talked about how his therapy had taught him to live mindfully in the moment. It isn’t hard to see the parallel between that advice and trance music—which perhaps explains why this slightly bizarre combination of content slotted together so seamlessly.

He talked, too, about his struggle with social media and people’s criticism of him and his work online. I often read or hear of famous people simply ignoring this sort of content, and was struck by his different approach. He talked of recognising that everyone sees the world differently, but understanding that there may be a kernel of useful and usable feedback in even unjust criticism. He noted that he can’t control others’ opinions, but he can strive to be better by his own judgment. It seemed like a grounded and reflective approach.

I also found myself enjoying the music, perhaps all the more for understanding some of the thought processes which informed it.

This was not at all the film I expected it to be, and I very much enjoyed it.