I’ve seen Cathy Marston’s ‘The Cellist’
The Cellist is a one-act ballet choreographed by Cathy Marston with music by Philip Feeney. It tells the story of the life of the noted British cellist, Jacqueline du Pré, who career–and ultimately life–was cut short due to multiple sclerosis. I streamed the 25 February 2020 performance at the Royal Opera House, starring Lauren Cutherbertson, Marcelino Sambé and Matthew Ball via Royal Opera House Stream.
If it weren’t for Wendy, I would probably have no idea who Jacqueline du Pré was, and so this whole ballet would probably have passed me by. I’m also not a regular fan of ballet—I often find the plots quite hard to follow, and find myself distracted by that. So, if this hadn’t been available for streaming, I would almost certainly never have seen it. I logged on more out of curiosity about how Feeney would reference various cello concerti in his score than because of any particular interest in the dancing: the score turned out to be brilliant.
I put this on almost in the background, thinking I’d do other things while I listened, but quickly found myself drawn in. Marston’s masterstroke was to cast a dancer in the role of ‘The Instrument’ rather than using a prop. This turned the entire setup into a love story, contrasting the platonic but inseparable relationship between du Pré and her cello with the profound human love story between du Pré and her husband. This was fascinating to watch.
Cutherbertson’s ability to communicate the complex emotions du Pré must have felt when her symptoms started was remarkable: confusion, anxiety, and fear seemed almost to age her before our eyes. I was less convinced by the personification of some of her symptoms, danced by the chorus surrounding her, which I sometimes found really quite difficult to interpret. But the orchestral scene was excellent, and the three central performances were all so strong throughout the whole piece. Who knew someone could have such impact while pretending to be cello?
The set too, redolent of the inside of a cello, was inspired.
This was a remarkable hour of performance.
This post was filed under: Art, Music, Post-a-day 2023, Theatre, Cathy Marston, Jacqueline du Pré, Lauren Cuthbertson, Marcelino Sambé, Matthew Ball, Royal Ballet, Royal Opera House.