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Ce n’est pas complètement méchant

174 words posted by Simon on 29 December 2023

Back in May, I moaned about the uninspiring decision to rebuild Notre-Dame de Paris to be exactly the same as it was prior to the 2019 fire. In my view, it seemed to be an example of preservation at the expense of conservation, forcing the building into a frozen historical state that bears no relation to the changing needs of the building and the community around it.

Yet, I missed July’s announcement of Guillaume Bardet’s incredible minimalist liturgical furniture which is destined for the interior. The combination of boldness and simplicity is stunning, somehow both timeless and contemporary. The decision to create something functional and new, rather than just blindly replicating what came before, gives me a scintilla of hope about the whole project.

They may only represent a handful of objects, but they are among the most liturgically important objects in the building. Seeing the restoration take such a bold path on such important things gives me faith. Perhaps, after all, it is a more thoughtful restoration than the headlines suggested.

This post was filed under: Art, Post-a-day 2023, , , .

Conservation n’est pas préservation

333 words posted by Simon on 25 May 2023

The UK press is waiting with baited breath for publication of migration statistics at 09.30 today. Each outlet will then pick over the statistics and find a of presenting them which reinforces their pre-existing view of the world.

So, allow me to write preemptively about something completely different that’s due to be unveiled today, in a way which entirely reinforces my views.

Today, a major part of the work going into the restoration of Notre-Dame de Paris is being unveiled, as the triangular structures that make up the framework of the choir and apse begin to be unveiled. These have been made using techniques dating back to the 1200s.

We’re supposed to be awed by this, but I can’t help but feel a little depressed. In the great tradition of cathedrals, Notre-Dame included, the French could have chosen to blend spectacular history with spectacular modernism, to have explored and redefined the meaning of the cathedral for the modern age. This could have become a beacon, something to rival La Sagrada Família for demonstrating how ancient traditions apply to the twenty-first century.

Instead, the response was “put it back as it was,” using centuries-old techniques to reconstruct a centuries-old building, neither truly preserving anything (it’s newly built) nor connecting it to the modern world (it was designed to work in the 13th century). Through striving to avoid controversy, the project also avoids relevance.

Pretending things are preserved in aspic is very rarely the best way to conserve them.

This song, which is somehow more than two decades old, has been in my head while I’ve been writing this. It has northing to do with either of today’s revelations, and yet somehow feels like it connects the two:

The image at the top is by Ranopamas on Flickr, used under this licence.

This post was filed under: News and Comment, Post-a-day 2023, , , .



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