In Yoga for People who Can’t be Bothered to do it, Geoff Dyer staggered through an autobiography of adventures, all of which “really happened, but some of the things only happened in my head”. Essentially, Dyer describes incredible experiences around the world but laces descriptions of them with profound bathos, either by pointing out their intrinsic absurdity or by drawing unflattering comparisons to humdrum daily life. I very much enjoyed this, and found myself laughing out loud on more than one occasion. The careful balance between earnestness and knowing humour was very well judged and really tickled me. And every now and then, there were sparklingly brilliant passages. I particularly enjoyed the exhortation: “It’s all about moderation. Everything in moderation. Even moderation itself. From this it follows that you must, from time to time, have excess. And this is going to be one of those occasions.” (Amazon | Goodreads)

Graham Norton, of chat show fame, recently published Holding, a witty and engaging novel describing the aftermath of a body being found in a sleepy Irish village. I wouldn’t have guessed this was by Graham Norton if his name wasn’t on the cover, and I wouldn’t have guessed it was a first novel. The characters were endearing, and the plot was relatively pacey while still allowing space for carefully observed description, in equal parts wry and touching. The resolution of the main plot was a bit disappointingly ‘crime novel by numbers’ and didn’t tonally fit with the rest of the book, but I enjoyed reading this nonetheless. (Amazon | Goodreads)

In Messy, Tim Harford gave a spirited defence of messiness, suggesting that it is undervalued. Each chapter discussed at a different aspect of ‘messiness’, from musical and oratorical improvisation, to workplace design, to email inboxes. I remained unconvinced that these were all facets of the same thing – some of the similarities seemed a bit tenuous – but it seems oddly forgivable for a book about messiness to be a bit messy when it comes to taxonomy. There’s even a section in the book about messy taxonomies. As someone who has previously enjoyed Marie Kondo’s “The Life-Changing Magic of Tidying-Up” (or “The Life-Changing Magic of Throwing Out All Your Stuff” as Harford re-christens it), I particularly enjoyed Harford’s skewering of it. I also appreciated that Harford acknowledged that there are places for order and tidiness in the world, including places where it is absolutely required. (Amazon | Goodreads)

On Liberty was Shami Chakrabarti’s autobiography of her professional life, concentrating mainly on her time at campaigning organisation Liberty. In it, she discusses many of the pressures that come with occupying legal posts in the Government and in the third sector, and offers genuine insight into how law is practised in these different settings. I really enjoyed these bits of the book. Overall, though, I was disappointed that the book turned out not to be quite the masterclass I had hoped for. I struggled to see the moral consistency between Chakrabarti’s positions on a number of issues, and felt that the arguments were sometimes overly dismissive of the democracy they claimed to defend. But still, the book made a passionate and detailed case, and was probably worth reading anyway. (Amazon | Goodreads)

Jon Ronson’s The Elephant in the Room was a very funny feature-length article sold as a short book, in which Ronson profiled the Trump presidential campaign. I read this just before the election. I think Ronson’s writing is best when he is discovering hidden absurdity in a world of essential normality, and this account of the Trump campaign doesn’t have any rational, normal characters in it to ground the madness; but maybe that comes with the territory. I’d quite like to see Ronson do something similar about the Trump White House, but it seems doubtful that he’d get access following this artcile! (Amazon | Goodreads)

Jeffrey Archer’s risible seven-book Clifton Chronicles limped to a conclusion with the publication of This Was A Man. Archer reached new heights of absurdity when his own characters rants about his unbelievable dialogue, suggesting “You’d never get away with it in a book”. For future reference, here’s a few other things Archer might want to consider whether he can really “get away with” in a book: small family gatherings routinely breaking into spontaneous applause; taxi drivers repeatedly declining payment because their political views align with those of their passengers; and using your own novel to complain about not being awarded the Booker Prize, which “will never be awarded to a storyteller”. Self-indulgence doesn’t begin to cover it. (Amazon | Goodreads)